Categories & segments

Lisa Bonet is the leading answer; the surveillance premise, ensemble cast, chase craft, and Washington setting also receive strong support.

Cruise’s white-haired villain, the film’s digital-night look, the coyote, the cab setting, Statham’s cameo, and the supporting-world possibilities have aged best.

Charlestown detail, accents, Lively, the theatrical ending, Renner, the cop looking away, and local texture lead aged-best.

The soundtrack, rivalry, style and Tony Scott’s filmmaking

Nora Ephron’s script, the 96-minute structure, friends-to-lovers premise, soundtrack, sexual candor, supporting friendships, old-movie references, and memorable micro-phrases form the episode’s longest praise list.

The ending has aged best, joined by the timeless western form, title, Texas setting, lack of music, Brolin’s arrival, the coin motif, Bell’s exhaustion, and Roger Deakins’s images.

Regina George, Lohan’s performance and Tina Fey’s script

The wedding, family politics, food, moral complexity, performances, and precise lines dominate aged-best.

The top candidates are the title, Jan de Bont’s cinematography and McTiernan’s spatial clarity, McClane’s character-rooted one-liners, and the film’s widescreen renaissance.

John Williams’s score, concealed shark and summer-town atmosphere

The effects, dinosaur design, blend of practical and digital work, and the film as a whole have aged exceptionally well.

The opening, depositions, twin effects, score, and Peter Thiel foreshadowing lead aged-best.