‹ All movies
Edge of Tomorrow poster

Edge of Tomorrow

113 minutes

Cast

Selected cast credits · Film reference

Tom Cruise Major William Cage
Emily Blunt Sergeant Rita Vrataski
Bill Paxton Master Sergeant Farell
Brendan Gleeson General Brigham
Noah Taylor Dr. Noah Carter
Kick Gurry Griff
Jonas Armstrong Skinner
Tony Way Kimmel
Lara Pulver Karen Lord
Madeleine Mantock Corporal Julie Montgomery
Martin Hyder Drunk
Harry Landis Old Man 3
Terence Maynard Cruel Sergeant

Edge of Tomorrow | The Rewatchables

Explore episodeClose episode

Producer credits not yet identified.

Most Rewatchable Scene

The first drop and beach battle

In the discussion (21)
Approx. transcript time · 00:30:22Read transcript
  • The movie cuts so quickly that it has more flashes of scenes than scenes, but about eight rewatchable scenes are listed.
  • First on the list is Major Cage's first meeting with General Brigham, where he is told he will be on the beach with the first wave.
  • Casting Brendan Gleeson in a small part signals the character matters, like a Montgomery or Patton; it is contrasted with a day-player walk-on in Devs, discussed with Greenwald.
  • Gleeson, who can ham it up as in Troy, underplays the moment, has his shirt tucked in and looks as big as the wrestler Big Van Vader.
  • Waking up in Master Sergeant Farell's J Squad is next; the speaker's wife gets anxious at how unfair it is that Cage is stripped of rank, and the movie wisely avoids showing it too many times.
  • A joke asks whether the mimics would have won if Cage had simply agreed to make the documentary.
  • The first airdrop and beach battle are called incredible and heart-racing, with Cruise's great scared-stiff performance ("How do I turn the safety off?").
  • Casting unknowns in J Squad means no one seems protected, so the hit on the plane before the doors open is shocking.
  • The beach storming works despite coming in Saving Private Ryan's wake; the mimics are just CGI and not very interesting, and the movie wisely stops dealing with them for a while after the first alpha death and reset.
  • The hosts mention that Guillermo del Toro worked on some of the mimic designs.
  • Cage seeking out Rita and the training montage are listed; training montages are called mostly corny, with Creed the exception and Blades of Glory a joke contender.
  • The drive that leads to the farmhouse and the return engagement with General Brigham are on the list; the final battle is called bad, with a steep drop-off in about the last 35 minutes.
  • The farmhouse is like finding water in the desert: a human moment in which the characters actually go on a journey.
  • An added pick is Cage walking into the J Squad camp and reading everyone's poker hands ("Kimmel's working on a flush").
  • Cage becomes the smartest guy in every room; despite a flawed final 30 minutes, the final action shot of his hand opening to show grenade pins and the zippy ending where Rita asks if she has something on her face are praised.
  • The pick is the drop landing and storming of the beach: the heavy, tactile mech suits recall Ripley's loader in Aliens, the speaker says they were mostly real rather than CGI, and the scene is redone four or five times.
  • The hosts say the CGI is sparing: per making-of featurettes, portable green screens were carried alongside running actors, a beach was built in a studio, and an entire Heathrow airport army base was built instead of shooting at Heathrow.
  • Understanding how mainstream action movies get made is fun; Cruise, the quote-unquote hardest-working guy who does his own stunts, tends to get results that feel more real.
  • The other host agrees that the first battle sequence is the most rewatchable scene.
  • Neither host cares about the romance; it ranks about eighth or ninth in importance, the kiss plays as a farewell, and critics called it unearned.
  • Cruise as a romantic lead is harder to accept as he keeps pairing with actresses about 31; Kubrick and his personal life ended his youthful sex-icon status, and the movie could have done without the romance.
In the discussion (7)
Approx. transcript time · 00:44:11Read transcript
  • Emily Blunt as an action star is the first answer, with a great two-year run here and in Sicario; the hosts want more, questioning whether Jungle Cruise counts but counting A Quiet Place.
  • A Quiet Place's ending, cutting hard to credits after she does something cool, looks borrowed from this movie by Krasinski and again casts her as a Ripley-like survivor against aliens.
  • She is tough, cool, funny when needed and no-nonsense, which nobody would have guessed from Devil Wears Prada.
  • Smarmy Cruise has aged well, recalling Jerry Maguire, like Daniel Kaffee from A Few Good Men 20 years later.
  • The mix of green screen and practical effects, and not being afraid to riff on Groundhog Day, are also cited.
  • The sci-fi World War II setting, a Rosie the Riveter, keep-calm-and-carry-on England in 2020 with everyone working for the war effort, is a world worth spending time in.
  • Blunt is named as what has aged best and the other host gives her his vote.
In the discussion (6)
Approx. transcript time · 00:47:05Read transcript
  • The alien plot (what the Omega wants, how alien blood works) doesn't matter; the romantic subplot and the unoriginal mimics are also listed, and the score is called blah.
  • Liman loves techno, as in Go and the song that drops at the end of Bourne, a remnant of rising in the late '90s.
  • The Louvre section doesn't work because it is dark and confusing, unlike the daylight trailer-park car-stealing scene, a favorite, where you see the whole chessboard.
  • At the Louvre the internal logic unravels: characters fall 50 feet onto a car and keep running, while earlier a car hit would kill Cage.
  • Going into a huge action movie without the final 30 pages makes the ending feel like a different movie; it was probably shot at night because night CGI is cheaper.
  • The ending in general is named what has aged worst and the movie's key flaw.
In the discussion (4)
Approx. transcript time · 00:53:44Read transcript
  • Only one name is written down: Gleeson.
  • Paxton is raised as an alternative, noting the hosts had mentioned Aliens three times without discussing him; Gleeson is still the choice.
  • The late Bill Paxton is praised as an icon of One False Move, Aliens and Near Dark, doing a bit of R. Lee Ermey and Hudson from Aliens and crushing the repeated Farell speech; he's never done anything but make a movie better.
  • In a making-of featurette, Blunt and Cruise love Liman's chaotic style while Paxton, a veteran of James Cameron movies such as True Lies, looks uneasy as Liman rewrites his lines between takes, though he stays respectful.
In the discussion (4)
Approx. transcript time · 01:03:57Read transcript
  • Terence Maynard, the "on your feet, maggot" sergeant, is said to appear in Guy Ritchie's Revolver and often on British TV.
  • The J Squad actors are not in much; the hosts say Kimmel is the most familiar, having played Dontos Hollard on Game of Thrones.
  • Charlotte Riley, who plays Nance and is said to be in Peaky Blinders, goes "full Hillbilly Elegy" with an invented British hick accent.
  • "I guess we should just go with Tony Way" is the Joey Pants pick; no one disputes it.
In the discussion (6)
Approx. transcript time · 01:13:28Read transcript
  • No, but a General Brigham show with Brendan Gleeson as the Patton of an alien invasion would be welcome.
  • A sequel is reportedly written; the hosts say Liman claimed it would redefine sequels, Cruise and Blunt are asked about it every six months, and Blunt now sounds busy.
  • Uncharted is joked about as the major film covered on Sean Fennessey's The Big Picture podcast.
  • Liman's next blockbuster is uncertain; there was talk of him doing Justice League Dark.
  • Chaos Walking is described as one of the great misbegotten productions: the hosts say it has seven credited screenwriters including John Lee Hancock and Charlie Kaufman, stars Tom Holland and Daisy Ridley, began shooting around summer 2017 and is still awaiting release.
  • That experience might make it hard for Liman to get a sequel made, though the hosts hope he does.
In the discussion (4)
Approx. transcript time · 01:18:07Read transcript
  • Blunt is raised first, then the question turns to whether Liman's apex is Bourne; the answer is "It's Bourne," because he still had some "kwan" back then.
  • Liman never had a smooth ride: the hosts recount that Favreau did not speak to him for years over a side deal on Swingers, and that Bourne was a troubled shoot after which he was removed from the franchise.
  • Bourne would probably be his apex as the moment everyone thought he had figured out action movies; the pushback is that he did figure them out, but they are risky and difficult for him to make.
  • Blunt had mostly thankless parts in big-budget movies after Devil Wears Prada (The Wolfman, The Adjustment Bureau, the Huntsman sequel); this movie or Sicario is probably her apex, with possible disagreement acknowledged.
In the discussion (4)
Approx. transcript time · 01:20:16Read transcript
  • Recent episodes seem to end with a case for Pacino; the pick here is Cruise, with Blunt raised as the alternative.
  • A joke answer of Donald John Trump; Cruise, Liman and Blunt all have a lot to be proud of, and this will be one of the most liked Blunt and Liman movies.
  • For Cruise it probably sits somewhere in his top 20 on a tough curve, with War of the Worlds well ahead; the other host agrees.
  • The movie is still great and really rewatchable, and its resetting quality is still surprising.
Podcast choices
Speaker not identified
Tom Cruise