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Helping even one person is enough.

Bill Simmons: Thinking twice before buying an expensive diamond is first proposed as a consumer lesson.

The film

Blood Diamond (2006)

Directed by Edward Zwick · War

143 minutes

Cast

Selected cast credits · Film reference

Leonardo DiCaprio Danny Archer
Jennifer Connelly Maddy Bowen
Djimon Hounsou Solomon Vandy
Kagiso Kuypers Dia Vandy
Arnold Vosloo Colonel Coetzee
David Harewood Captain Poison
Antony Coleman Cordell Brown
Benu Mabhena Jassie Vandy
Anointing Lukola N'Yanda Vandy
Basil Wallace Benjamin Kapanay

Everything from the episode

In the order the hosts got to it. Open a row for the discussion.

58:28

Casting What-Ifs

Russell Crowe was the other reported possibility for Danny Archer; the film chose Leonardo DiCaprio.

Russell Crowe was the other reported possibility for Danny Archer; the film chose Leonardo DiCaprio.

In the discussion (2)
Approx. transcript time · 00:58:28Read transcript
1:00:07

Recasting Couch

Daniel Kaluuya is proposed for Danny Archer in a modern version, with Sydney Sweeney as Maddie.

Daniel Kaluuya is proposed for Danny Archer in a modern version, with Sydney Sweeney as Maddie.

In the discussion (3)
Approx. transcript time · 01:00:07Read transcript
1:01:09

Half-Assed Internet Research

DiCaprio family cameos, Dia’s name, Jennifer Connelly’s injury, DiCaprio’s training, and the diamond industry’s objec...

DiCaprio family cameos, Dia’s name, Jennifer Connelly’s injury, DiCaprio’s training, and the diamond industry’s objection

In the discussion (6)
Approx. transcript time · 01:01:09Read transcript
1:05:02

Picking Nits

Danny’s perfect facial hair, cross-border arrest geography, Solomon risking death at the camp, Maddie’s photo distrac...

Danny’s perfect facial hair, cross-border arrest geography, Solomon risking death at the camp, Maddie’s photo distraction, Benjamin’s death, mountain reception, and constant Guinness drinking

In the discussion (8)
Approx. transcript time · 01:05:02Read transcript
  • Danny’s facial hair remains too precisely groomed after many days on the road. — Bill Simmons
  • An arrest by Liberian border guards should place Danny in Liberia rather than the Sierra Leone prison where he meets Solomon. — Bill Simmons
  • Hiding diamonds inside goat skin is praised as a useful smuggling detail. — Bill Simmons
  • Solomon’s public breakdown after seeing Dia through the camp fence seems likely to get him shot. — Bill Simmons
  • Maddie stopping armed soldiers by taking their pictures feels like a television-movie device. — Bill Simmons
  • Benjamin’s death is treated as an avoidable action detour that could be cut. — Bill Simmons
  • The final cell call remains implausibly clear. — Bill Simmons
  • Repeated bottled Guinness orders in tropical heat are questioned as possible product placement. — Chris Ryan
1:13:11

Probably Unanswerable Questions

Which 2006 Leonardo DiCaprio death scene is best?

Which 2006 Leonardo DiCaprio death scene is best?

In the discussion (3)
Approx. transcript time · 01:13:11Read transcript
1:15:35

Producer review

Producer Craig praises lab-grown diamonds, the movie’s educational action form, and DiCaprio’s issue-driven stardom, ...

Producer Craig praises lab-grown diamonds, the movie’s educational action form, and DiCaprio’s issue-driven stardom, while noting that similar stories have moved away from theatrical stars.

In the discussion (8)
Approx. transcript time · 01:15:35Read transcript
  • Lab-grown diamonds are added as the clearest thing that aged well. — Craig Horlbeck
  • The producer had not seen the film and responds positively to its mix of action and difficult subject matter. — Craig Horlbeck
  • Modern difficult-topic awards movies are contrasted as smaller and sadder rather than large star vehicles. — Craig Horlbeck
  • Kanye West’s Diamonds from Sierra Leone was the producer’s first exposure to conflict diamonds. — Craig Horlbeck
  • A modern Zwick might make a documentary because a hundred-million-dollar studio feature is hard to greenlight. — Chris Ryan
  • DiCaprio is praised for still using stardom to mount expensive issue-oriented films. — Chris Ryan
  • The Siege is used to show how quickly current-affairs films can be overtaken by history. — Chris Ryan
  • Global studios’ need for broadly marketable antagonists is cited as another constraint. — Chris Ryan