The Longest Yard

What’s Aged the Best?

Burt Reynolds’s athletic movie-star performance, the sports realism, split-screen game coverage, car chase, period styling, Caretaker twist, and decision not to kill Crewe receive the strongest praise.

In the discussion (13)
Approx. transcript time · 00:43:38Read transcript
  • A giant movie star leading a sports film is praised as a model that has become rare. — Van Lathan
  • The ashtray, cigarettes, radio football call, and gray leisure suit immediately establish the 1970s setting. — Bill Simmons
  • The split-screen game coverage is praised for introducing a new visual grammar late in the movie without breaking immersion. — Chris Ryan
  • The car chase benefits from the long skids and less precise handling of a 1973 Maserati. — Bill Simmons
  • Anitra Ford’s look is treated as specifically evocative of the mid-1970s. — Bill Simmons
  • The observed Ed Loudder is praised for a résumé spanning several sports movies. — Bill Simmons
  • Michael Conrad’s later Hill Street Blues presence is noted. — Bill Simmons
  • Using an announcer inside the sports movie is credited as a device later films repeated.
  • Caretaker’s ability to obtain steroids, vitamins, and stimulants is treated as funny period detail. — Bill Simmons
  • The very wide photography and multi-picture design are praised as theatrical choices. — Bill Simmons
  • Caretaker’s murder is called both devastating and an effective story turn that keeps prison danger present. — Bill Simmons
  • The decision to replace an ending where Crewe was shot preserves the movie’s satisfying resolution. — Bill Simmons
  • Burt Reynolds’s dismissive later account of the remake is treated as evidence of his cranky persona. — Bill Simmons