Most Rewatchable Scene
Game Seven; no crying in baseball
In the discussion (18)
Approx. transcript time · 00:20:57Read transcript
- The Oregon opening is selected for establishing Dottie and Kit's rivalry and Ernie's recruiting pitch. — Bill Simmons
- The tryouts and roster reading are selected for introducing the players, showing their athletic credibility, and revealing that Shirley cannot read. — Bill Simmons
- The league newsreel is proposed as a rewatchable sequence. — Mallory Rubin
- Jimmy's no-crying-in-baseball confrontation is proposed as a rewatchable scene. — Bill Simmons
- Jimmy's managerial debut, including his extended urination, is proposed as a rewatchable scene. — Mallory Rubin
- The team-success montage is proposed, including the Black woman's powerful throw and Marla's marriage. — Bill Simmons
- The telegram delivery is proposed as an affecting scene. — Bill Simmons
- Jimmy confronting Dottie about quitting is selected for his argument that difficulty is what makes baseball great. — Bill Simmons
- Game Seven and the home-plate collision are selected for resolving the sisters' rivalry while leaving the dropped-ball question open. — Bill Simmons
- Dottie and Kit's farewell is proposed as a rewatchable scene. — Mallory Rubin
- The Hall of Fame reunion is proposed, with an explicit objection that parts of it are corny and that grown-up Stillwell is unpleasant. — Bill Simmons
- Jimmy's managerial debut and Ira's response are proposed as a comic exchange. — Mallory Rubin
- The Suds Bucket dance sequence is proposed. — Mallory Rubin
- Marla meeting and marrying Nelson is proposed. — Mallory Rubin
- Both nighttime bus rides are proposed as rewatchable sequences. — Mallory Rubin
- One participant remains torn between Dottie trying to quit and the no-crying-in-baseball scene. — Mallory Rubin
- One participant's final choice is Game Seven because the whole game holds up on a channel flip and renews the dropped-ball debate. — Bill Simmons
- A different participant's final choice is the no-crying-in-baseball scene. — Mallory Rubin